Meet Franklin Livingston and some of his American actor and influencer work: Thank you so much for joining us! Can you tell us a story about what brought you to this specific career path? Living in the Midwest of the United States for nearly a decade made me feel that I was expected to spend my life in a specific stereotypical way. It began with my job at the local Christian church that helped me get settled in the U.S. I was astonished when my supervisor asked me why I needed to go out and have a nice dinner, once in a while, when I had tin can soups at the place I was living at. The senior pastor of the same church explained to me that people from my background should NOT even consider dating or having a family life because we don’t understand relationships and people from the Middle East could die at any given moment. In my opinion, they were basically stating that my life and people like me should not expect to progress any further than just being sacrificial lambs. We are not entitled to normal lives and should never experience it. We are less than the standard and lucky to participate at all. Read even more info on https://www.facebook.com/Franklin-Livingston-313595142578559/.

Where does Franklin Livingston’s possibility personality come in? It is after a long unfruitful wait that Franklin has decided enough is enough! Franklin is now producing content intending to provide grass-root level casts and crew members opportunities to work making films. In the past five years or so, through his Theatre and Film production companies in New York and Los Angeles, Franklin has shown hope in the Hollywood industry by giving out jobs and chances to thousands of upcoming American actors and crew members in major cities to showcase their work to the global audience.

Franklin has always been in love with cinema and has been making films since the age of 16. He has evolved as technology and style have progressed over the years, and he deeply enjoys the craft in every aspect. Despite excruciating long hours of creative thinking, planning, and executing, and typically being the first to and the last person to walk out of the film sets after sleepless nights, Franklin Livingston never falls out of love with expressing human emotion and capturing stories that need to be told. He believes that a good story must constantly be educating, entertaining and engaging. And that’s what he aims for in his productions.

Please tell us the one thing that separates you from your competition. I do have a unique perspective to bring to the table. Currently, there is no person of Pakistani origin in Hollywood’s big-budget movies or TV networks that has the training I do. Especially not one playing a dramatic role that will be taken seriously and not a funny guy character. I would love to put my extensive experience to good use and not only go up against the competition for a leading serious role one of these days, but actually get a call back for it!

Can you please give us your favorite “Life Lesson Quote”? Can you share how that was relevant to you in your life? Visualizing. Actualizing. There is beauty and power in these practices. However, I feel that learning to live, breathe, and exist in the moment without stressing about the future and focusing on your thoughts and feelings right now — is vital and the most valuable lesson you could ever complete. Often on the set myself or my assistants might worry about staying on schedule or getting behind, but there is no resolution without conflict, and we always claim victory when we work hard and never surrender.

Franklin has broad training from highly experienced professionals in the areas of drama and the more serious cinematic roles. In films produced in the United States, there are no such leading roles that are filled by qualified Pakistani actors. Franklin has spent significant time and effort acquiring the necessary training and expert guidance to fill these roles. Franklin has the particular skills and personality necessary as an American actor to proudly and personally take on the privilege of shedding light on many important socio-political issues. Including representation or the cross-cultural issues faced by recent immigrants. Franklin envisions changing the way stories are told in America while empowering day-to-day heroes. In his films, Franklin has shown the heroism of average men and women. He believes heroes don�t have to be fictional or over-the-top good-looking men and women. Since those are standards set by humans and are not closer to the principle of nature and the Universe. Franklin believes heroes are always born among average people, and they live among us, helping us on a day-to-day basis, making our world a better place.

Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that? I was in a meeting with my first TV commercial agents. They asked me if I was working on getting rid of my accent. They said that getting work without having a native sounding American vernacular is impossible. I laughed to myself and replied bluntly that I don’t believe I could ever eliminate my accent and that local people tend to search for a foreign accent when they need a medical specialist or a cosmetic surgeon in Beverly Hills. I think it’s only the Media, the formula, and the system that believes that actors shouldn’t have their native accents if they wanted to play leads in the local projects. Upon seeing their facial expressions, I realized my honesty was a mistake.

With possibilities comes challenges: Like many people who have been affected by the pandemic, Franklin is no exception. He mentions that during quarantine, he developed a couple of health conditions. He gained weight, became depressed, and started showing signs of aging. He, therefore, suggests an acting technique that supports the actors and can empathize with their emotional and cognitive state so they can have well-balanced lives. Franklin goes back and reflects on all the popular American acting schools and realizes that they affect actors emotionally or disrupt their mental well-being negatively. He mentioned it’s time for classic acting schools to revisit their curriculums and research why most actors who survive their training are introverts. They after two or three years of training, their actors end up becoming socially awkward, emotionally closed off, and distant from those community members who are not from the same professional backgrounds as them.