Amazing 21st century poetry with Jean Arno

Literature

Top 21st century poets with Jean Arno? Jean Arno is an influential artist from the artistic group, Astrée. Primarily known for his poetry and philosophical aphorisms, he defends the idea that man is, in essence, a creator. Shaping ‘the inextinguishable fire of life’ thus makes up the sacred mission of man, as a poet. He stands alongside those who continually battle against the invasive and deadly forces of contempt for the world and for life, and alongside those who put their creative forces to the service of the highest affirmation of life, those who believe that ‘the impossible can only ever occur by attempting it’. See even more info at https://www.jeanarno.com.

With Trophies, Jean Arno not only pushes the art of writing to the heights of the ancient glories of France—Hugo, Baudelaire, Rimbaud, Eluard—with whom he competes; he joins depth of thought with the harmonies of his classical hexasyllables. Nietzsche himself would probably have made these verses his own: “ Free is the will / Sovereign and great / Whose lightning controls / The palaces of fate”. The poet-philosopher makes himself a high idea of poetry, “supreme art, (…) it releases from the darkness of the being the invisible powers and lets bloom in their supreme clearness the germs of light inside them”.

The new, digitized universe, praised by Mark Zuckerberg, opens up a world of infinite creative possibilities, which is why the digital art gallery Art & Above has decided to take the plunge by moving into the Metaverse. “We have created a new kind of art gallery: any artistic object—including the art gallery itself—becomes the occasion for an artistic experience … for collaboration. The visitor is no longer a contemplator; he is called to become an artist himself and to create”, says the founder, Jean Arno.

It also encompasses new technologies such as Steve Cutts’s work, chaosism, and the cryptic art of the Astrée group, which proposes, through different artists like Jean Arno, to live a real intellectual experience with its immersive and collaborative exhibitions, its 3D video, its graphic art, and its literary and musical works sown with hidden messages. “The book will help you become intellectually richer and wiser. My poetic thoughts require an intellectual effort of interpretation, which deepens the thoughts of the reader,” said Arno.

Why did you choose poetry? I have written in other genres under different pseudonyms, but I’ve often said that poetry is the supreme art. The magnetic forces of the images mix with the raptures of a tamed music that compels the soul to sing more highly the drama of its depths. Through poetry, senses and thought are sharpened, and the worlds they covet and desire to conquer are hollowed out. This fact is essential — today’s world is devoured by the god “Useful,” with its superficial and usurped splendors, and poetry appears to be the only remedy. Its invincible light pierces the darkness of the ineffable and conquers the sacred fire to set existence ablaze. Poetry animates life, in the Latin sense. That is to say, it endows it with soul and freshens it with a pneuma, a nourishing and fertile breath. Read extra information at Jean Arno.

The poet, like Nietzsche, reminds us of an obvious fact that we should never have forgotten: human beings reach their highest freedom as creators. However, we have moved away from this path because it requires qualities that are difficult master. High creation requires us not to succumb to the temptations of our time — the temptations that lead artists and intellectuals to produce only works that conform to a determined horizon of expectation, which are often uniform and superficial. The mind that wishes to produce exceptional thoughts must necessarily make an effort to “[persevere] in being” to use Spinoza’s words, or to overcome itself in creation. Readers must gather all their intellectual forces to reconstitute the reasoning contained in the final and triumphant poetic formula. Arno delivers these explanations of his poetic art in unpublished and hidden texts. In the manner of Leonardo da Vinci, the poet hides codes in his texts that lead to “sacred relics.”