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Flixtor.one top tv movies free online now? Hell hath no fury like a religious zealot scorned, as demonstrated by writer/director Rose Glass’ feature debut, which concerns a young hospice nurse named Maud (Morfydd Clark) who comes to believe that her mission from God – with whom she speaks, and feels inside her body – is to save the soul of her terminally ill new patient, famous dancer Amanda (Jennifer Ehle). What begins as a noble attempt to share pious belief and provide comfort for the sick swiftly turns deranged, as Maud is possessed by a mania impervious to reason, and enflamed by both the slights she receives from Amanda and others, and her own mortal failings. The sacred and the profane are knotted up inside this young woman, whom Clark embodies with a scary intensity that’s matched by Glass’ unsettling aesthetics, marked by topsy-turvy imagery and pulsating, crashing soundtrack strings. A horrorshow about the relationship between devoutness and insanity, it’s a nerve-rattling thriller that doubles as a sharp critique, punctuated by an incendiary final edit that won’t soon be forgotten.
We wish we could have been a fly on the wall when Ken Loach — Britain’s foremost cinematic chronicler of working-class angst and quotidian humanism — first learned about the gig economy. The concept fits right in with the veteran director’s moral vision of a world in which ordinary humans regularly think they can outsmart a system designed to destroy them. In this infuriating, heartbreaking drama, a middle-aged former builder starts driving a truck making e-commerce deliveries and discovers that his dream of being his own boss is the cruelest of illusions. Meanwhile, his wife, a home health-aide worker, struggles with her own corner of a so-called growth industry. What makes this one of Loach’s best isn’t just its rage (which is plentiful) but its compassion (which is overwhelming). It offers a touching cross section of humanity, in which everybody is caught inside a giant machine that discards the weak, feeds on the strong, and perpetuates itself.
Arriving on streaming in the middle of a pandemic, a time when many lives have fallen into unceasing loops of quarantine-related repetition and tedium, the Lonely Island produced comedy Palm Springs perhaps resonated differently than when it premiered at Sundance earlier this year. Jokes about doing the same shit over and over just hit harder now. Tracking a romance between a goofball wedding guest (Andy Samberg) and the bride’s self-destructive sister (Cristin Milioti), writer Andy Siara’s clever script combines Groundhog Day existentialism with a quippy take on quantum physics, doling out inspirational life lessons and math cram sessions at a clipped pace. In the same way Tom Cruise had to battle aliens in Edge of Tomorrow, the two must relive a wedding over and over, struggling to escape from an Instagram-ready, celebratory hell. It might not be as purely funny as Samberg’s other big screen adventures Hot Rod and Popstar, but Palm Springs finds its own winning spin on a surprisingly robust micro-genre. Find extra details at flixtor movies.
Using cheery smiles and go-getter glares to conceal profound depths of resentment, ambition and greed, Hugh Jackman gives the performance of his career as Roslyn, Long Island public school superintendent Dr. Frank Tassone in Bad Education. A dramatic account of the historic embezzlement scandal that engulfed Tassone and his colleagues – most notably, assistant superintendent Pam Gluckin (Allison Janney) – Cory Finley’s film (based on Robert Kolker’s New York Magazine article) is a ruthlessly efficient and even-keeled affair about the intense pressures of suburban academia, where educational-ranking achievements and college acceptance rates are intimately intertwined with real-estate prices. The director lays out the myriad forces at play in this ostensibly picture-perfect milieu in exacting detail, and his preference for longer takes means that the focus remains squarely on his performers. That, in turn, allows the HBO feature to rest on the sturdy shoulders of Jackman, who never resorts to caricature in embodying Tassone as a discontent striver whose eagerness for validation dovetailed with his lifelong deceptiveness, to disastrous ends.
Kodi, formerly called XBMC, is a free and open source media player. It’s a highly customizable media player that you can use on your laptop or desktop to get a media center experience. Just in case you’re missing Windows Media Center on Windows 10, Kodi is a great alternative. This contender for the top media player for streaming content is even better if you’re using it with an external, larger display because of its 10-foot user interface. In the recent past, Kodi has been in the headlines due to pre-loaded Kodi boxes and add-ons that support piracy. Kodi plays almost all popular video and music formats, podcasts, and other digital media stored locally or on the internet. Initially, Kodi was independently developed and called Xbox Media Center for the 1st gen Xbox gaming console. This recommended media player also has plug-ins that can be used to expand its features and include functionalities like Netflix, YouTube, Hulu, Veoh, etc. Kodi’s source code is open source and developed by a global community of unpaid volunteers.
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